The title of today’s story is “You Can’t Spell Funeral Without F. U. N.” Nowadays, when someone passes away, we gather together and have what we sometimes call a “memorial service,” or “Going Home Celebration.” It’s a bittersweet time to remember a life well lived in the service of Jesus. And, as I’ve noticed the last few years, the gatherings take the tone of the person who is no longer here. If they were Christians, their legacy continues in friends and family, and part of them lives on. It’s a time of heart swelling pride in knowing their lives are not “over.” And never will be.
That stands in stark juxtaposition to the funerals of my childhood, even into early adulthood. Growing up in a small, church college town, and being from a family of singers, we were asked many, many, MANY times to sing at weddings and funerals. Mostly funerals. And because Dad was a preacher for an even smaller country church, we sang for many, many, MANY small country funerals.
And when most of the kids from college were not in town for summer break, we spent probably one day a week singing for one. Funerals, back then, were not hallowed festivals of rapturous remembrance and tribute. They were dismal, agonizingly morose catacombs of lamentation and sobbing. And especially in the country where nothing big ever really happens, funerals were the grandest and most pretentious form of entertainment. They were so distressing and bleak, it was as though the deceased didn’t just die, they ceased to exist. And that probably comes from never having heard what heaven is really like. Because, Paul very clearly said in 2 Corinthians 12:1-9 that he was “caught up to the third heaven but was not allowed to say what he saw there.” So obviously, we shouldn’t be dreaming about what heaven is like.
For most people, it seemed heaven was a place we looked forward to only because it meant that we were not in hell. I couldn’t imagine heaven being much more thrilling or energizing than endlessly jumping in a bouncy house, or eating really good food whenever I wanted it wth the occasional “drop by” visit of Jesus. When he was making his rounds. I think that’s the reason funerals in those days were so devastating. And even scary. Funerals were only mentioned by parents after making sure we were intimately acquainted with the idea of death. This practice was clearly designed to be used as threats.
When the family sang at weddings, my mother would lean over, poke me and whisper, ” You’re next..” She thought it was so cute and funny until I started doing the same thing to her when we sang at funerals.
I will never forget one summer when I was just in college. All my college friends from the music department were gone home for the summer. Dad said he was asked to preach for a funeral out in Floyd and would I get some people together to do the hymns. Without thinking, I said “sure.” I began asking around and discovered the only people available were high school kids from the Academy. So I enlisted them, even though almost every one of the 8 of them never attended a funeral in their lives. I wasn’t to nervous, as we all sang out of the same blue song book our entire lives. I knew they would know the hymns. However, I lost my tuning fork a while back so I asked David Wright to ask his Dad, Ray, if I could borrow his. Ray was my high school choir director and I knew he owned one…probably several.
I talked to Dad the day before and told him who was coming to sing. I very strongly informed Dad that these kids were novices at singing at funerals and I wouldn’t put them in a position of being uneasy. I told him when we got there, he was to tell whoever was in charge that we would be siting in the back of the church, far away from the casket. I also informed him we would be leaving before the final viewing. He said he would make sure the officiant knew my “rules.”
I began driving around and gathering up all 8 kids in the family Datsun station wagon. Our big orange Datsun station wagon, a gift to my sister, Jacqui on her 16th birthday. Our dad paid $170 to have it painted orange. Like really orange. We swore this go-tech beauty was actually the front and back halves of two different cars soldered together. And then spray painted orange. It was a standard shift station wagon and the back end had a decal that said “fully automatic. It did, in fact, look like a dog loping toward you with it’s back legs slightly angled to one side as it ran.
Rain started 3 days before the funeral and the ground was soaked to capacity. Dad gave me the directions to the little country church and we were off. As we turned down the well traveled road to the church 30 minutes later, I thought it could not be more picturesque. The small clapboard church with a white steeple rising just above the nearby trees seemed the most serene place I could think of for a funeral service.
As I drove down what used to be a dirt road, but now very slippery from the constant rain, the church sat to my right. Directly across the street, to the left of me, was the cemetery, peaceful, quiet and pastoral. Seemed a soothing and undisturbed location for repose. I parked the car just next to the church on the road.
Dad was there ahead of us. As I walked to him, the other kids following, vainly attempting to avoid mud pits behind me. Another gentleman ran out and took my hand. He was the funeral director and would show us where to sit. I glanced over to Dad for help as he began talking to someone who was apparently the son of the deceased. As I passed by, through the front door, I first noticed that all the flower arrangements were lining the back wall of the church, instead of surrounding the coffin at the front of the small auditorium, which I thought odd. I heard the middle aged man say, to dad, as quietly as possible, “We had to physically pull her out of the coffin at visitation last night.” Dad just grunted and avoided eye contact with me. More than a bit confused, but nonetheless intrigued by that exchange,
I kept walking as the funeral director ushered us directly down front and into a small, beautifully polished mahogany choir loft which sat directly behind the podium, which sat directly behind the coffin. Before I could protest, the gentleman scuttled off. I glanced back to see 8 young, impressionable kids, looking down on the closed coffin, with eyes as big around as their open mouths. I whispered, “Ya’ll, trust me on this. In three years, you will have sung at so many of these, this will seem will be nothing, I promise.” Not one of them moved…or blinked. I’m not sure they breathed. I knew we were in trouble.
We sat quietly as guests began trickling in. Finally it was time to start. The family came in as a unit. The men staunchly holding up the female family members, just as it was taught them from an early age. the women, all holding kerchiefs to their noses. Just as it should be.
And then I heard her. Before she ever got inside the small church. From my vantage point, looking down the center aisle to the back of the church, turning right and toward the door leading into the building she came, held up valiantly by two men. One, the brother I heard talking to Dad before, and another, close in age, obviously siblings. As the brothers all but carried her down the center aisle, I sat in almost absolute awe at the visage before me. I couldn’t decide if I was more disturbed by the mourning and wailing which apparently emanated from Dante’s Third level of Gehenna, or her funeral attire. She carried the body of Aunt Bea and the voice of Almira Gulch. She wore a black vintage pencil style dress, which I’m sure she bought somewhere around 40 pounds ago. As is appropriate for a funeral, it did cover her shoulders, barely. And pointy toed shoes. But it was her hat that was spellbinding. It looked like one of those pillbox hats with a short veil. But, stuck all around it were some kind of bird feathers that were not so easily identifiable. Varying colors and lengths. Not species specific. But lots of them. Anywhere from a couple of inches to a foot high. I got the feeling she renewed the bounty for each occasion she wore the hat. Everyone else seemed determined to ignore this nest perched atop her head. And I deliberately turned away to keep from staring more than 15 seconds at a time.
The men struggled as best they could, one on each arm, stumbling as they maneuvered her to the front pew. The entire time, she wailed, “OH DADDY!!! OH DADDY!!!” And the brothers, trying to console her, but knowing it was futile. “Now, now Auntie Christa. It’ll be okay. Sit down and hush now, Auntie Christa.”
Unfortunately, it was at this moment, Mindy, one of the high school kids behind me, discovered for the first time what it feels like to experience the embarrassment, guilt and shame of uncontrollable and inappropriate giggling. At first I thought she was just coughing. And then I understood she was just trying to cover the wheezing snickers impossible to control.
Fortunately, I saw the funeral dude signaling me to start. So I grabbed out Director Ray’s pitch fork and gave the kids the pitch from this Middle “C” tuning fork and I began directing the first hymn. “Oh Lord my God. When I in awesome wonder, consider all the worlds thy hands have made. I see the stars, I hear the rolling thunder, Thy… power… throughout…the…u…ni…verse… dis…played…” I know I pitched it right. But, it sounded like it was at least a 4th of an octave lower than it was supposed to be. And all song directors know the fatal truth that no matter how fast you start a hymn, if you start it to low, it’s going to slow down. An eternity later finally made it to the end of the song.
I was furious and wanting to take it out on someone, so I glared to the back of the building where Dad was standing, but he averted my glare and quickly glanced out the open entrance door, as if he was trying to read a tombstone across the street. I looked back at the kids and they were all looking at me like, “What are you doing?” Except for Mindy. Her shoulders were shaking with a tightly closed fist slammed against her mouth. David was mouthing, “Pitch it higher.” I mouthed back, “I’m pitching it by your dad’s tuning fork.” It is RIGHT!!! Through all this, Auntie Christa was caterwauling, “WHY? WHY?” I thought it best to go ahead with the next hymn. I pitched it in the correct key with the tuning fork and began. Somehow it became an awkward duet with Auntie Christa. She would NOT be outdone. “Low in the grave He lay. Jesus our savior. Waiting the coming day, Jesus Our Lord. Up…(Oh Daddy)from…the grave…(If I could just hear him preach one more sermon)…He…arose… He arose……Ha….le…lu…jah…..Christ…..a……..roooooose!!!”
Suddenly the song of celebration became a funeral dirge. Somehow, oddly appropriate. But not what I envisioned. When it was over, I refused to even look back at the kids. I knew what they were thinking. IT wasn’t until I was returning the offensive fork to David that I noticed I’d been given a “G” tuning fork instead of a “C” fork. I was, “in fact” starting every song a half octave to low.
Glaring again at dad, who was still trying to read when Old Man Wilson died. It was dad’s turn. He walked to the front and stood at the podium, between us and the coffin. He gave a heartfelt message about death, which he was forced to scream, trying to be heard over the competition of Auntie Christa. The family was no longer attempting to quiet her. A few kids close by her were bending over and gathering up occasional tufts of bird fuzz that flew out of her head.
Finally it was done. And I felt sure the funeral dude would escort us out before the final family viewing. But, he did not. I sat in horror as he and his minion marched, and I do mean marched, to the front and opened the casket. And there we were, looking straight down into the face of a 90 something year old Baptist preacher, who I’m sure, to the kids, looked astonishingly like the Cryptkeeper. There was an audible gasp, in unison, as I turned around and witness 8 sixteen year old kids metamorphose from well adjusted high schoolers into clinical therapy case studies. A couple of them averted their gaze downward to the floor. But the others looked as though they were half expecting/hoping that “daddy” would jump up and say, “just kidding.” All of that was accompanied by Auntie Christa proclaiming to the entire congregation that she no longer wanted to live. And at that moment, I was close to making that a reality.
I looked back and said, “Let’s go.” I got up and led the procession down the front aisle before the guests and family could parade past the open coffin. My one and only thought was to get them out of there as quickly as humanly possible, before they were permanently, mentally scarred. I would deal with Dad later. But, as we passed him, this time completely and purposely avoiding eye contact with him, he tugged my coat sleeve and whispered, “Um..they were wondering if you could get the kids to help carry the flowers over to the gravesite across the street before the family walks over. I said, “Dad, I believe you have successfully turned 8 incredibly bright, well adjusted high school students into Children of the Corn. We’re going to do this one last thing and then we are out of here.”
Each kid grabbed a container of flowers and we headed across the soggy, muddy street into the cemetery. Mindy commented on how nice the big white stones lining the walkway were. I informed her that they were actually grave markers and I walked ahead. Suddenly I heard someone whispering, “excuse me…I’m so sorry…excuse me.” And. I watched as Mindy passed me, apologizing to each and every grave as she long jumped across them, precariously balancing her vase of flowers in her arms.
And that was it for me. I sat my flowers down and began laughing so hard I leaned against a tall tombstone and continued with my own inappropriate guffawing.
Then I heard, “Tim…Tim.” I glanced up, wiping tears from my eyes, to see Dad leading the processional of mourners across the street toward us. All of them looking at me with utmost disdain.
Suddenly, a head of feathers poked out from behind a group of bodies to see what the hold up was. And Auntie Christa, chagrined that someone else might be stealing her attention, screamed and arms flailing, ran toward the open grave and fell just before it, deliberately on the dry AstroTurf in a dramatic dead faint.
We all just stood there. Her road weary brothers, apparently exhausted from the emotional, not to mention physical weight, just stood there. Everyone just stared at her. When it was apparent no one was going to rescue her, she slowly raised her bird haloed head and looked around, broken and bent pinions and what few plumes that were left on her head, wafting in the breeze. She looked less like the Phoenix rising from the ashes. More like a deranged, run over peacock. As her brothers wearily began the 400 mile journey of picking her up, I looked at the huddled kids and said, “come on.”
This time, as I passed Dad, we both avoided eye contact. I all but ran to the car, jumped in and started the engine as the kids all piled in. I threw the car in reverse and heard the dreaded spinning of wheel against mud. There was a definite groan from all the passengers of the car as I tried, several times, vainly, to put the car in drive, in reverse, in drive, in reverse. NOTHING!!! So three guys got out and began bouncing the orange station wagon up and down. And then, unfortunately, someone yelled, “GUN IT!” And I did. The car was removed from the deadly clutches of the offending mud and everyone applauded. I looked in the rearview mirror and saw three guys, covered from head to toe in red, slimey mud. One was wiping it out of his ears, one was wiping it out of his eyes and the other just stood there. I was so sad he didn’t finish the tableau. The great thing was that everyone started a laughter of relief, even, as I glanced over and saw the entire funeral company giggling. Except of. Course, for Auntie Christa, who leaned morosely against her brother.
We drove off into the cloudy day, and the oddest thing. Dad and I never discussed the Floyd Funeral experience. Not ever.